Music

The Great Romero Banjo Saga

How an 18 month wait became 5 and a half years

How an 18 month wait became 5 and a half years

Way back in the winter of '12, my good buddy Ken, who was considering the advantages of a career as a luthier, came across a video published by The Fretboard Journal about a banjo maker and his artist wife who made some awfully nice banjos.

Even if you're not a picker, it's a pretty interesting & beautiful video

They had me in the first 2 minutes. By the time the video had finished playing, I had found their website and sent them an email:

... When I was 5 years old, I saw Pete Seeger picking a banjo on Sesame Street and I knew I had to have one... my folks however, weren't as convinced. After a few more years of pestering, they finally relented and found me a used 5 string and at the tender age of 9 they found me a banjo teacher. I've played off and on over the years, and now, in my mid 40's I think it's safe to say, I will play this thing til I die. Your instruments are gorgeous and one can really see the heart that goes into creating them. I am ready to sign up.
 

The next day, I got this reply from Jason:

Many thanks for this email - I really appreciate it. Sounds like you have a great story - we've always wanted to make it down to NM..... Right now I'm around 18 months out from ordering to delivery. I ask for a $200 (non-refundable) deposit to hold your spot in line...

I sent my deposit that day. That was February 20th, 2012. 18 months would put us in the late summer of 2013. In March of 2013, I asked him how the schedule was holding up. His reply:

We are looking a bit later than summer '13. We've been touring so much that it's set me back a bit in the schedule, but I'm doing my best to catch up. Looking at probably around late fall '13 - but if I have any changes to that I'll let you know.....

Well, late summer cruised on by and according to his newsletters he sent out occasionally, it was beginning to become obvious that 18 months was a bit more than optimistic. In July of 2014 however, his newsletter noted that he was:

Now building orders received in late 2011 and early 2012.

Hey! that's me. "Mine is coming up quick!", I thought. But then the newsletters seemed to appear less and less frequently and it became apparent that I too was being overly optimistic as this email went out to all of us on his waitlist in April of 2015 (three years since I'd sent my deposit):

Dearest patient banjo afficionado,
I’m writing to let you know I haven’t forgotten about you. We have had an unexpectedly full last few of years that have given us a beautiful daughter, a busy touring schedule, and now three duo albums to our name. It has also meant less time in the banjo workshop than I had expected, and because of that I am behind on my build schedule. We are working hard - often seven days a week - to keep up, but there is no doubt that banjos are going out quite a bit later than I originally estimated. If the time has already come when you were expecting your custom build, and you haven’t heard from me, this is why. We are a small shop (just the two of us usually) and everything we make is custom, so I know that many of you expect the time between ordering and delivery to be an inexact science. I still wanted to let you know that I'm further behind than I ever anticipated, and am very much looking forward to slowing down on touring, enjoying some time at home, and focusing on our family, property, and building some beautiful instruments.
So I really haven’t forgotten about you, and if anything the opposite is true. I look forward to working with every custom banjo client, and am excited to have more time dedicated to being in the workshop again. Please get in touch if you have any concerns or questions.
All the best,
Jason & Pharis

So I waited patiently for nearly another year. And as we were just beginning to get used to the idea of 2016, I got this message from Jason:

Hope this finds you doing well, with a great start to 2016. I'm writing to let you know that I'm getting ready to start a new batch of banjos soon, and am looking forward - after your long wait! - to including your banjo in that build. I really appreciate your patience with the extra time it took to get to your build.
If you are ready and this works for you, please take a look at my checklist at www.romerobanjos.com/checklist.html, and let me know what specs you're thinking of. We'll build up a price for the banjo with the specs, and get everything approved before building. Once we're into the build and everything has been finalized, I'll send off the final invoice to you - this is usually a couple weeks before the banjo is finished. I would anticipate your new banjo being ready to send to you in February.
If you're not ready for the build, no problem, but if you could let me know right away that would be great.
Thanks and all the best to you - looking forward to working with you on a new banjo....
Jason

Wow! he's gonna ship me a banjo in February. I opened another bottle of Vivác champagne!

I sent him an excited reply with this drawing as a template for the neck inlay: 

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Well, then he started getting all experimental on me:

 Just a quick clarification…… do you want a traditional bluegrass style with the gibson style flange/resonator rest OR an open back with L-shoes with one of my small vega style resonators?
If you want the first option I might suggest postponing just a few more months. I’m in the process of developing my own Gibson style brass flange but with my own decorative cut-outs. I’m also coupling this style flange with my Bella Rose tone rings for a new “model" if you will. It will be my answer to the traditional bluegrass banjo. I’ve made many before but have always had to use Gibson copy flanges which is a big part of the overall aesthetic and I’ve been wanting to do this for years …… so I’m very excited. I’m currently working with a few machinists and hope to have the first prototype in about 6 weeks.
 let me know what you think..

What did I think? What the hell did I know... "Well, what’s a couple more months after nearly 4 years? Sure let’s go with your new model!" I dumbly said.

Well, turns out that yet again,  optimism was running rampant at the Romeros. The following month, he sent me this note:

 Hi Jeff,
 I just wanted to let you know the process of developing this new flange is taking much longer than expected. At this point i’m not sure when I’ll have a working sample in my hands. It could be two months but it could be six.
 If you want to move forward with your build using an aged brass gibson style flange I’d be very happy to work this in on my next build starting in around 3 weeks.

Very well then... we'll go with the Gibson style flange. Fine. Whatever.

On March 22, 2016 (more than 4 years since our initial communication) Jason called me and we talked for a bit about the details of what I wanted in terms of woods and finishes and tone. Pharis (his wife who does all the inlay work) emailed me about my design and what I wanted her to use for it... all brass, gold mother of pearl diamonds, brass strands or all gold pearl?

These were some of the details we settled on: Figured maple neck and resonator, synthetic ebony trim, Belle Rose tonering, Fairbanks-Vega peghead, long back strap peghead overlay, light aged brass hardware, curved tailpiece and a goatskin head. And of course the custom design inlay with brass and gold mother of pearl.

My banjo was definitely getting built now. I was sure it would be in my hands before summer! About two weeks later, Pharis sent these images of the cutout inlays before embedding them:

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About 10 days later, they sent me these images of the inlaid fretboard, remarking that Pharis had done the work despite having a newborn:

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The "vine" is Brass and the "diamonds" are Gold Mother of Pearl.

The "vine" is Brass and the "diamonds" are Gold Mother of Pearl.

On May 4th, the Romeros sent an invoice. It was really more than I was comfortable spending, but I knew I would have this thing till I died and *damn* it was such a beautiful instrument, how could I back out now?

I sent a check in and then it was quiet from Horsefly for awhile, so I sent an email to ask what was up. Jason had this to say:

Hi Jeff,
Good to hear from you…… everything is great, just insanely busy. as you know we have a new baby AND are building a new house. i’m on banjos in the morning then the house till i collapse. so this batch has taken a little longer than i’d expected. I put your skin on yesterday and your neck finish and resonator finish is curing. i hope to put it all together next week sometime shipping early the following. I’m very excited to set up another bluegrass style banjo with my bella rose and skin set-up….. i’ll make recordings for the website too
i’ll send pictures of your rim soon….. it looks amazing!

Babies and housebuilding! What do I care about that? Send me my banjo already! And then the new batch of photos came, and I began to appreciate babies and housebuiling a little more:

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The resonator. Stretched and stained. That's a goat skin head... I assume from a Canadian goat

The resonator. Stretched and stained. That's a goat skin head... I assume from a Canadian goat

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This little detail (where the head is a different piece of wood from the neck) is called a back strap. It is made of synthetic ebony. He charged $225 for a detail that only I'm ever gonna see. I gladly paid it.

This little detail (where the head is a different piece of wood from the neck) is called a back strap. It is made of synthetic ebony. He charged $225 for a detail that only I'm ever gonna see. I gladly paid it.

Most resonator banjos have a metal rod that runs from the base of the banjo up through the neck and into the head stock. Jason invented this sort of bed-post affair that attaches the heel of the neck to the bottom of the tone ring, keeping the banjo…

Most resonator banjos have a metal rod that runs from the base of the banjo up through the neck and into the head stock. Jason invented this sort of bed-post affair that attaches the heel of the neck to the bottom of the tone ring, keeping the banjo lighter and tighter. It probably affects the tone too.

Jason thought it would be a good idea to tease me a bit:

 hey jeff,
 just been playing your banjo and it sounds amazing!
 I'm planning on shipping friday….

That was May 31st, Friday would be June 3rd and I was heading down to Austin for my niece's graduation party. My banjo might just be waiting for me when I got back. I thought.

On Friday as I arrived in Austin, I got this note from Horsefly:

 hi jeff,
i just put up a few pictures of your banjo on my instagram page. it’s all together and sounding AMAZING! the skin head combined with my Bella Rose continues to please me.
 I want to keep it around for the weekend to make sure it’s dialed in and I’ll ship monday for sure!
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A couple of the shots he posted on Instagram at the beginning of June 2016.

A couple of the shots he posted on Instagram at the beginning of June 2016.

Monday, for sure he says. OK fine. I guess that's better as it means I'll be there when it arrives rather than having it sit on the porch for any length of time. Anyway, there's beer drinking to be done here in Austin to distract myself!

So yes, my niece graduated and we were all so proud and everything, and on Sunday morning, feeling only slightly groggy, I got back on the road to New Mexico. As I got home, about 8 or so in the evening, I unpacked, grabbed a bite to eat and then I flipped open the iPad to see what the emails had to say. There was an email from Romero Banjo. Subject line simply read, "Fire":

Hi Jeff
I am devistated to tell you we lost our entire operation last night to a fire and everything in it including your beautiful banjo.
I tried to call and will try again
So sorry
At first I thought this was an elaborate hoax... the background was so vivid and incongruous and the signage so oddly placed, it had to be a fake, right?

At first I thought this was an elaborate hoax... the background was so vivid and incongruous and the signage so oddly placed, it had to be a fake, right?

I quickly sent off a note of dismay and condolences. I mean for me it was "just a banjo", but for these guys... man. Their livelihood... gone. As well as a slew of their own vintage instruments. Fortunately, they DID have insurance and Jason told me he'd send my money back when they got their insurance check. And that once they got the shop rebuilt we'd figure out where to go from there.

The fire made the news. It clearly was not a hoax. I had not been scammed. Sure it was a disappointment after so much anticipation, but really, all along it was just an idea anyway. I really did feel bad for the Romeros... but they were all safe and they were keen to rebuild. So the hope of a fine handmade instrument was still alive.

Jason thought he would have a new shop by the fall. And he did. They received lots of love and money from all over the world.

He wired my money back to me and sent this note in late October:

hi jeff,
I sent your wire transfer yesterday. you should have it in a few days. sorry it took so long….
and  again sorry your banjo was lost in the fire. i’m sure you can imagine that i spent a fair amount of time thinking of things i could have done in hindsight….. like moving  all our pre-war guitars into the house or wishing i’d have really pushed the shipping date of all the completed banjos…. but  i had to let all that go in coming to terms with the fire.

I’m just so sorry for all the waste of such beautiful instruments and that one of them was meant for you.

j

He built a batch of banjos from wood salvaged from the fire and posted pictures of them in early 2017. In March, he sent this note:

We are up and running and the new shop is great! I am nearing the end of my "out of the ashes banjos" and will then start to work on the banjos lost in the fire. I can’t build all the same banjos in the same batch for several reasons but will build one of the 5 lost in the each batch to come until I finish them. 
 If you’re still interested in us building your banjo let me know and i can give you a rough timeline on when i’d build it, probably sometime this summer.

Of course I said YES, please. Then in early July he was ready again:

Happy to say that your banjo is coming up in my next build. I hope this works out for you? I’m so appreciative of your patience while we get up and running, and can’t wait to actually get a banjo in your hands sometime soon.
We’re on a major power outage due to wildfires right now, so I’m not starting on anything right away, but anticipate on starting around July 22 or so. When you have a minute, could you let me know your specifications - the same as last time, variations, or totally different? Anything is great….. And as with the last build, when we have everything in line we’ll do up a budget. The base price is the same as your last build…… Let us know if you have any questions.
And - if you’ve made other plans and are planning on passing on the build, no problem at all - just let us know. The other consideration is that we have our new custom flange out to a CNC brass machinist right now, but he is s-l-o-w and we’re anticipating getting the first run of custom flanges from him within hopefully 3 months. If you wanted to wait for those, let us know.
That’s about it for now. Hoping you’re well, and enjoying a great summer. Best -
jason & pharis

No to the custom flange. Let's get this thing built already! His guess of three months was accurate. As Labor day passed and September deepened, Jason sent a few photos of the new build.

Definitely a different goatskin. I think I like this one better!

Definitely a different goatskin. I think I like this one better!

Poor Pharis. She had to cut all that intricate stuff again.

Poor Pharis. She had to cut all that intricate stuff again.

Pharis sent a note about cutting that inlay again:

Thanks again Jeff. It was pretty fun to cut that inlay design again.

I told her I could just imagine all the "fun" she had.

Ha! I think I thrive on finding fun in unusual places. All good!

And then she sent a sound clip of Jason tryin' it out...

...and then a video clip:

Playing banjo 17413. Skin head on a Bella Rose tone ring and old growth submerged maple rim.

A post shared by J. Romero Banjo Co (@romerobanjos) on

Then a few more shots on Instagram;

My neck in a vise!

My neck in a vise!

The Michael Angelo of banjo creations!

The Michael Angelo of banjo creations!

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The banjo was finally shipped off on Tuesday, September 26. Was held up in Kamloops BC for a couple of days for inspection and then finally....

My banjo was on a truck headed for Dixon....

My banjo was on a truck headed for Dixon....

Arrived! Safe & Sound. Beautiful in craftsmanship, aesthetics and tone. October 2, 2017. Every bit worth the wait. Now the real fun begins. Happy picking. Indeed.

March Right In

Last month the Fiestas de La Santa Rosa spread a greasy layer of fun on the dry, and dusty town. Music by local bands and the naming of the Junior Queen on Saturday were certainly highlights. But we all live for the Sunday spectacle. The Parade. This year's excitement was not limited to fancy trucks and low riders, no sir. There were cheerleaders, maidens pulled by tractor, Nelson and Mary as King & Queen and opportunistic politicians. Candy galore as usual and for the second year, the mightier and more well rehearsed Dixon Marching Band gave us rousing versions of, well... marching tunes.

Hopefully next year, I'll have a dolly or at least a tripod to reduce some of that handheld horror movie look infecting a good portion of this clip. March!

More of this please....

Another fine evening of imported music last night at the Toolshed. This time, all the way from Jackson Hole, Wyoming. Anne and Pete Sibley brought their deep songwriting talent, "soft power" harmonies and open hearts to a receptive crowd. Below is a little taste of the action.

 

They duo was kind enough to invite Mule Britches up for a couple of tunes. We were only too thrilled to share the stage with 'em. Happy trails Pete and Anne… come back soon!

You're A Good Man, Charlie Brown at the Toolshed

 

We're halfway through the summer production run of the Broadway musical You're A Good Man, Charlie Brown. We have a great cast of DCP regulars (Simon Feaveryear as Charlie Brown, Glenda Fletcher as Lucy, Rita O'Connell as Sally, Jeff Spicer as Schroeder, David Rigsby as Woodstock, Patrick MacDonald as Snoopy) and one new member, Taos music scene veteran, Don Conoscenti as Linus.

Our first two shows played to full or nearly full houses at the new Toolshed performance space.

The Toolshed in Dixon. Built by Simon Feavearyear.Once again, our director Holly Haas has created a terrific show with lots of laughs, beautiful staging, scenery and memorable characters. The orchestra, our most complex to date, is comprised of DCP regulars Ken Clark on drums/percussion, Dick Padberg on bass and returning again from Austin, Roger Lambert as pianist and musical director and DCP newbies from Los Alamos, Shari Adams on flute, Brian Huysman on keyboard and Bob Chrien on clarinet and sax.

If you haven't gotten tickets yet, you might wanna hurry and do so. Word is spreading about what a fun and impressive show this is. There's a matinee at two today, and three shows next weekend (Friday and Saturday, August 3 and 4 at 7:30pm and Sunday, Aug. 5 at 2pm).

 

The Honey Dewdrops- A House Concert in Dixon -UPDATED!

Mark your calendars folks. If you've been to any of the house concerts that have taken place here in Dixon over the past couple of years, you know what a special treat they are to attend and experience. Ken Clark has arranged for the Virginia-based duo, The Honey Dewdrops to spend a little time in our fair town (they'll be staying for a few days) and to give an intimate concert which will be at my (Jeff Spicer's) house on Thursday, March 15th. Admission will be $10 and seating will be limited so call or email Ken (579-9655) to secure your spot on the list. 

Above is a video of the Honey Dewdrops performing an original tune that Mule Britches has taken a stab at a time or two, and below is a bio of the duo. More details of this event will follow as we get closer to performance day, so stay tuned to this page for updates.

Hailing from the foothills of the Blue Ridge Mountains in Charlottesville, VA, the Honey Dewdrops are Laura Wortman and Kagey Parrish.  Together, they write songs, sing harmonies; play guitar, mandolin, and banjo; have toured the country for the past 4 years and appeared on A Prairie Home Companion; gained Folk Radio notoriety with a #1 album and have shared the stage with musical greats such as Carolina Chocolate Drops, Mary Gauthier, and Matt Flinner Trio.

The Honey Dewdrops have been making music together since they met in 2003.  With two guitars and a shared love of the Beatles, Bill Monroe, Neil Young and Mike Seeger, they began singing their favorite songs together in college with the most pared-down sound.  Almost 9 years later, that sound and the songwriting of the Honey Dewdrops has evolved and begun to dig deeper, with new instrumentation and taking influence from American traditional music as well as modern songwriters like Darrell Scott, Iris Dement, Mary Gauthier and David Francey.

“We’re inspired by songs that are rooted in the experience and lives of people and songs we can all see ourselves in.  We try to write and perform in that spirit,” says Laura.

During their 4 years of touring and traveling and playing for audiences across the country, Laura and Kagey have drawn inspiration from the people they meet and places they stay.  “Traveling has taken us to communities all over and we meet people at the shows, in restaurants, standing in line at the post office or drug store.  Everyone we meet has a story they share and that is inspiring to us,” says Kagey.

The Dewdrops’ latest recording project, Silver Lining, focuses on encounters, characters and situations that connect us all.  There are warnings that in order to get love, we must give love.  There is a desperate plea for the ability to “love like a wild river runs.”  There is a personal, inward look at what happiness is and what it is not.  There is the commitment to persevere when prayers go unanswered.  Through it all there is the realization in Silver Lining that the darkest clouds are the ones that best show “where the colors hide.”  In this third effort, Laura and Kagey take a departure from their previous songs loaded with melancholy outcomes and explore the littlest slivers of hope and how we deeply need to connect with them.  In essence, Silver Lining is a series of songs that will nourish and, minute-by-minute, cultivate a feeling of hope that lingers when the music is finished.
Vist the Honey Dewdrops Website

Fire on the Embudo

Fires burning out of control in Arizona... fires crossing the state line and a fire just up the hill. There was a far less terrifying fire just this past weekend as Holly's Follies wrapped up their 5 show run with a rockin' cast party. Simon hosted and the Pathetics provided the tunes. Joining them here is the inimitable, incomparable and yes, incorrigible Rita O'Connell with a little support from the incendiary Jeff Favorite...

 

 

and if that isn't enough, here's the Dixon Players Barbershop Quartet.

 

Thanks to all who came out (and came out again) for Hollys' Follies!

Spring Theater in Dixon

Holly's Follies premieres tonight in Dixon at the old Catholic school building (soon to be known as the Dixon Community Playhouse). Performances are Friday and Saturday, May 20th and 21st and Friday and Saturday, June 3rd and 4th. All performances at 7:30 PM. Tickets can be bought in advance at the Embudo Valley Library or by making reservations at 505.579.4545.

Another Blue Heron Gig

The mighty Ken and I will be rippin' it up once again on Saturday, April 16th from 5-7 for the Blue Heron happy hour. We'll be joined once again by the lovely Lori and the jumpin' Johnny M. Come on down and enjoy the jam and a bit of brew too!
For a preview of what's in store, have a look at our latest video... featuring a bit of local flavor...



The Dixon Pub Scene

There's a new act in town and I caught them in action Saturday night at the Blue Heron.

The handsome and multi-talented duo, Ken Clark and Jeff Spicer, have joined forces with various combinations of upright bass, mandolin, guitar and banjo for some real down to earth, knee-slappin' sounds of bluegrass, country, and Irish pub songs (why not throw in a little Led Zeppelin to show off Jeff's amazing musical screaming abilities?) Lori, Ken’s wife, joined in with lovely guitar strumming and added some sweet leading vocals and gorgeous harmony before running off to take her three squirming kids home.

Clark made a special appearance just in time to lead us all in the crowd pleasing “Ballad of Jed Clampett”:

It was standing room only at the cozy brewpub with great company and lively sing-a-longs – definitely one of those "I'm so glad I live in Dixon!" moments. Thanks Blue Heron for creating such a space. And, of course, we love the beer!

Blue Heron Brewing Co. in Rinconada has Happy Hour with live music every Saturday evening from 5-7. No need to feel disappointed if you missed out on Ken and Jeff's gig. They'll be playing again on March 5 with a few new tunes. Cheers!

 

 

Crud On My Slacks Part 1

My dad was a music fan. He couldn't play an instrument to save his life, but he tried, by God he tried. Many a Saturday morning I awoke to his clipped and clumsy attempts to replicate something resembling a Beethoven sonata. He finally sold the piano and conceded that piano (and eventually) guitar playing were not to become his all consuming passion(s). Instead, he just listened more intently to other people's music trying to squeeze out every drop of satisfaction that he possibly could.

I listened along with him when he brought home the Beatles white album. Such fun we had singing along with those silly songs about piggies, raccoons and honey pies! He had my sister and I singing alongside Mel Torme, Harry Belafonte and Joan Baez and sent us outside when he cranked up the Miles Davis or the London Philharmonic. He had no interest in Elvis Presley, seemed to actually loathe him because he never wrote any of the songs he sang and was therefore (according to dad) talentless. He was equally unimpressed about the stuff that my sister and I gravitated towards (John Denver, Pink Floyd, Stevie Ray Vaughan and Frank Zappa for me; Olivia Newton-John, Heart and REM for my sister).

When we lived in Houston, my dad went to The Summit  to see Elton John, Neil Diamond and Fleetwood Mac. He once took me to see Roy Clark at a smaller venue (I was a budding banjo student at the time), and because I begged, he took the whole family to see John Denver in 1975. When I was in high school, I bought two tickets to go see Men at Work at the Reunion Arena in Dallas, hoping to find a girl who would go with me. When I finally came to grips about the reality of that possibility, I asked my dad to come along. He had a great time... even though I believe his hearing impairment began in earnest at that show. 

He loved classical and most kinds of Jazz. He loved folk (The Four Freshmen and The Kingston Trio). He learned to appreciate bluegrass, because I loved it so much and we spent at least a few hilarious hours listening to stupid songs on the Dr. Dimento Show. But for my dad, the one and only true living legend was Bob Dylan. It would be safe to say he was a Bob Dylan freak. He had every album, bought every book about or by him and even loved the few films he was in. He and I went to one Dylan show in Dallas, and we agreed it was awful, but for my dad, the Man could do no wrong musically, even if he had an off night or if the sound system was sub standard. 

For many years my dad lived in the musical desert of Waco, Texas and never could bring himself to travel to Austin or Dallas to go see a show, so he stayed home and dreamt of a day when he'd live in a real city. Eventually that day came and he found himself in the Washington DC area. He and his wife were constantly concert going. They took train trips up to New York to see the Metropolitan Opera, or they'd get on the Metro and go see Odetta or Trout Fishing in America at Wolf Trap. Often, he'd go by himself to go see Bob - 3, 4 or 5 times a year, sometimes 2 nights in a row. That's devotion. He said he went so often because you'd never know what Bob was gonna do and that he'd never play the song song the same way. Whatever floats your boat, I guess.

Don't get me wrong, I'm a Dylan fan too, of course, but you know, there's a limit... well for most of us there's a limit.

My dad had what might be called a difficult relationship. We pissed each other off, we confounded each other and we searched for "safe" topics of discussion. Well, music and Bob was pretty comfortable and one year I decided that I'd record my own version of Blood on the Tracks for him. Because I'm a pretty sloppy musician, I called my version Crud on My Slacks. It took me a long time to create and when I finally decided I was done, it went out to him without Idiot Wind or Meet Me in the Morning, but with a Bonus Track of Every Grain of Sand. He said he liked most of it.

On May 1 of this year, my dad died after an astonishingly brief battle with lung cancer. At his memorial service in Denver I sang a version of Every Grain of Sand. I don't know if my voice was wobbly or if the guitar was out of tune... I do know I messed up one of the lines. My dad used to always say of my art (visual and musical), that if it was perfect, it wouldn't be me. I like to think he was reclining in his lazy boy listening to me trying to replicate something resembling something his hero wrote and grinning a quiet grin. Liking most of it.

For my dad and any other Dylan fans out there, here's a couple from Crud on My Slacks

Every Grain of Sand

 

 You're Gonna Make Me Lonesome When You Go

 

Fun with Auto-Tune

In case you were wondering (and I'm sure you were) Sweetgrass took a little sabbatical over the winter while some of its members were "indisposed". Well what's a feller to do when his band is disbanded? Well there's always Garage Band. Program a little bass and drums, and phh! who needs band members?! Of course for maximum thrills (and to sound like modern pop-radio) you will always want to turn up the Auto-Tune function all the way to 11! Or not.... You decide.

 

Under a Stormy Sky Original by Daniel Lanois. This version by Jeff Spicer

 

Police Blotter

Clark Case dropped by the Lost Boot Recording Studio last Wednesday to "lay down a few tracks" as they say. We got a guitar and a couple of vocal tracks out of him, while Heather lent her voice to the chorus and a bit of extemporaneous squawking. Police Blotter is a Clark original featuring actual details from the Rio Grande Sun. I added some guitar, electronic bass, drums and sound effects. Admittedly, there's some goofy timing in our hastily composed effort, but it still manages to be an entertaining 2 and a half minutes. Calling all cops!

 

Police Blotter

Sweet Nothings

Will we see a Sweetgrass album in the stores soon? Highly unlikely. What with two of our members departing for destinations unknown and returning who knows when.

 

If you got a chance to listen to the local foursome (now a precarious quintet) at one of its local showings this past summer, you might have heard this cover of a Cowboy Junkies tune. This version is just Heather, myself and a drum machine.

Crescent Moon by Sweetgrass

 

As soon as we hear back from that A&R man, we'll let you know.